Cut to crew | World-building through sound: Dhiman Karmakar on the psychology of listening and performance capture

Shooting older parts of the city that retain a certain aura of the past helps set the scene for period dramas like ‘Raees’.

In ‘Main Vaapas Aaunga’, in the BSF camp, through imagined sounds, Ishar sees Jiya.

The addition of ripples breaks the monotony of the steady rain, making it sonically appealing.

Dhiman’s team recorded Chamkila (Diljit Dosanjh) singing down the well from the bottom to capture the unique texture that the echo adds to the voice.